FRANÇOIS LUKAWECKI

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François Lukawecki is an award-winning composer, conductor and teacher from Montreal, known for his innovative approach to music that seamlessly blends unconventional vocal techniques with impressionism and intricate word painting. His compositions evoke powerful imagery through meticulously crafted harmonies, prosody-generated rhythms, and unexpected uses of techniques such glissandi, repetition, and onomatopoeia.  His compositions include Mass in A Minor for choir, wind quintet and percussion, Magnificat for SATB and treble choirs, two keyboards and percussion, and an oratorio based on the apocryphal story of Judith.

Currently pursuing a Master’s in Choral Conducting at Université de Sherbrooke under the guidance of Robert Ingari, François won the 2023 Composition Competition at Sherbrooke University and the prestigious Stephen Chatman Student Award in Choral Writing by Choral Canada in 2024.

 
In addition to his academic pursuits, François is a dedicated music teacher and serves as the artistic director of the Monday Night Choir, which specializes in Canadian contemporary music. He sings with the Choeur de Chambre du Québec and has previously performed with countless choirs.  For more info: www.lukawecki.com

EN PLEIN AIR - Deux aquarelles chorales

by François Lukawecki

  1. L’aquarelle – SATB with piano – CP 2394 – duration 2:00
  2. Saules – SATB with piano – CP 2403 – duration 2:00
  3. EN PLEIN AIR – (both movements) – CP 2404 – duration 4:00

These simple “choral watercolours” capture the evocative images set in impressionist poems by Québécois poet Hector de Saint-Denys Garneau.  Compositionally, I tried to create “aquarelle” effects by using impressionistic word-painting, very open chords for transparency, a blurry accompaniment, minimal harmonic rhythms, and a pastoral mood.

In L’aquarelle, my biggest challenge was coordinating the vowel sounds of different words sung simultaneously, to create a clearer choral soundscape.  In Saules, the choir frequently sings on voiced consonants to imitate the wind buzzing through the foliage of the willows, also represented by the ever-descending lines and glissandi.

Mantra

by François Lukawecki

SATB a cappella – CP 2590 – duration: 4:45

Mantra is a setting of Stéphane Mallarmé’s Soupir. It is an exploration of the wandering mind during meditation. The original poem unfolds as a single run-on sentence across eight lines, its central thought repeatedly interrupted by descriptive tangents. In Mantra, the text is reworked to evoke an attempt at meditation, as a recurring mantra is continually disrupted by intrusive thoughts and poetic side journeys. With each return, the mantra grows longer, until it finally delivers its complete message: an affirmation of the soul’s beauty. The work’s neo-Impressionist musical language pays homage to Mallarmé’s profound influence on French music—an influence so compelling that Soupir became the subject of a friendly rivalry between Debussy and Ravel, who composed their respective settings almost simultaneously in 1913. 

Mon âme vers ton front où rêve, ô calme sœur,
Un automne jonché de taches de rousseur,
Et vers le ciel errant de ton œil angélique
Monte, comme dans un jardin mélancolique,
Fidèle, un blanc jet d’eau soupire vers l’Azur !